The German language series was not very modest at the end. ZDF dared to turn to Patrick Susskinds Perfume, Sky to a new edition of The boat, Now will be a series of Berlinale that will make one of the most famous works in the history of the German film: Fritz Langs M – The town is looking for a killer from 1931. M Lang's first soundtrack, not only that the director sets new narrative and creative standards. In the story of a child murdered by the police and the underworld, the film establishes both a modern, rational commissioner and a mentally ill criminal. The last scene in which the assassin (Peter Lorre) faces a tribunal of the great great tribes and demands a fair trial for himself is known. The "erroneous" subject to be eradicated, the hysteria in which the city is located, and the propaganda slogans from the good citizen's mouth – these motives are often interpreted in the later admission as a visionary view of the forthcoming fascism.
To stand up and say, "I'll make a series of something," so she shows very good confidence in herself. That's right, David Schalko. The Austrian is one of the most innovative directors and authors in the country. The 46-year-old has become famous in Germany, especially with his Trilogy of greedthis from the TV series brown stroke and Old money as well as his published novel for 2018 Heavy bones. While the series talks about looking for peasants to profit or for a perverse rich-patriarch's family, the novel is for a Viennese boss of the underworld, an example of which is the brutalisation of the whole country after the narrative of the unauthorized military experience.
In fact good conditions for a substance like Mwhich ultimately describes how an agitated and brutal society is crying for a lynch of other cruelty – infanticide. Shalko builds its six-part story in a very classic way: In the first scene you can see the little Elf walking through the snowy Vienna in her parents' apartment. Clown speaks to her, wants to give her a balloon (a figure with his head, arms and legs, just like in the original movie), but Elfi runs home. There she is run by her mother (Verena Altenberger) because she has forgotten her jacket at the playground. "When is it all for me? – sighs the mother after sending her child in the sweater back to the cold, and thus puts a tone for the upcoming family drama.
Elsie never returns, her father (Lars Edinger) finds only her red jacket and old man (Udo Kieber), who shoots everything with Leica. The eight-year-old is the second missing child in Vienna, before this refugee girl who escaped from Afghanistan has not returned home. This shows Schalko's will to integrate current events into history; In October 2015, a four-year-old boy was kidnapped, abused and murdered on the territory of the State Office for Health and Social Affairs (Lageso) in Berlin.
Schalko, who wrote the script with his wife, film editor Evi Romen, makes the search for murder even more relevant by installing a right-wing populist Domestic Minister (Dominique Maringer), Austrian Chancellor Sebastian Kurtz and a politically active minister of interior works Herbert Kickl is similar. The fictional minister, who was surprisingly trying to benefit from the disappearance of children for his own purposes, incited people against criminals, imposed police hours, and abolished fundamental rights. his partners in crime are an unscrupulous media entrepreneur (Moritz Bleibtreu) and a close-knit police psychologist (Julia Stemberger) who provides him with first-hand information on the case.
Unfortunately, this part of the series is quite predictable and also acts quite simple. The Interior Minister is a vain dude who admires himself naked like the Sun King in front of the Hofburg mirrors, and also the media boss of Moritz Blaibet is constantly strolling through his empire (vitreous, futuristic) with a cell phone on his ear. All of this is unusually enlightening about the circumstances of Schalko after he even put the minister in his mouth: "you will still wonder what is possible." Norbert Hoffer told him in the last televised match before the federal president's most strange Austrian elections in the spring of 2016. The possibility of emergency ordinances, even for a state of emergency, then hangs in the air, and it is quite understandable that Schalko this tension in M playing. Dramatically, however, these scenes are an impediment to the series because they destroy their mysteriously sinister environment (camera: Martin Gschlacht) through hyperrealism. This also applies to the personal dramas she skillfully builds.
Particularly touching is the portrait of the parents of the killed Elsie. Lars Edinger can after loud excitement
The psychopaths are finally thrown into a quiet part
Take the father, capitalizing on the incomprehensible. The Chamber Pie
Eidinger and his partner Verena Altenberger in their grave cold
The development of an old apartment is spooky. Two people, each for
engaging in debt. Greater loneliness than in this marriage
you can hardly imagine.
Also the symbols of
The investigator's page is consistent and relatively unconventional. Somewhat the dark commissioner (Sarah Victoria Frick) insists
Shake the pizza in her mouth while she is with the mother
potential victim speaks. At the same time, she follows the case
most serious, even if their motives are not
experiences (in the German-speaking TV business rare quality!). Because her supervisor is the quiet police chief (Johanna Orsini-Rosenberg), who arrives despite all the harsh protests, not against the greedy interior minister.